Musicologist, writer, and producer Alan Lomax (b. Austin, Texas, 1915) spent over six decades working to promote knowledge and appreciation of the world's folk music. The files were digitized by the Association for Cultural Equity, which deposited digital research copies with the Blues Archive. Lomax left Harvard, after having spent his sophomore year there, to join John A. Lomax and John Lomax, Jr. in collecting folk songs for the Library of Congress and to assist his father in writing his books. John Szwed's new book, Alan Lomax: The Man Who Recorded the . I think I arrived in April and I don't think we went south until August. In a letter to the editor of a British newspaper, Lomax took a writer to task for describing him as a "victim of witch-hunting," insisting that he was in the UK only to work on his Columbia Project.[33]. Alan Lomax started making recordings for the Library of Congress in 1933, with his father John, and recorded folk music and interviews from around the United States and the world on reel-to-reel tape between 1946 and 1991. Nevertheless, according to Gioia: Yet what the probe failed to find in terms of prosecutable evidence, it made up for in speculation about his character. The 66 tracks are accompanied by a 68-page booklet documenting the Lomax collecting trip, as well as notes on the songs, tunes and stories. I learned a lot there and Alan Alan was one of those who unlocked the secrets of this kind of music. Bandcamp New & Notable May 8, 2014, Taste The Quiet Bone (Album) E.P.by The Dirty Diary, supported by 36 fans who also own The Alan Lomax Recordings, I love that hypnotic, pounding sound. NOW TAKE MY MONEY a.bezu, supported by 48 fans who also own The Alan Lomax Recordings, Get In Unionby Bessie Jones and the Georgia Sea Island Singers, This album highlights traditional Black American folk and gospel songs from Americas coastal South. It's a big problem in Spain because there is so much emotional excitement, noise all around. The acquisition was made possible through a cooperative agreement between the American Folklife Center (AFC) and the Lomax Digital Archive, and the generosity of an anonymous donor. Upon his return to New York in 1959, Lomax produced a concert, Folksong '59, in Carnegie Hall, featuring Arkansas singer Jimmy Driftwood; the Selah Jubilee Singers and Drexel Singers (gospel groups); Muddy Waters and Memphis Slim (blues); Earl Taylor and the Stoney Mountain Boys (bluegrass); Pete Seeger, Mike Seeger (urban folk revival); and The Cadillacs (a rock and roll group). Chicago, Illinois, Mississippi Records was dreamt up 20 years ago. Alan Lomax is a folklorist and ethnomusicologist. Lomax was extremely nervous throughout the interview."[56]. It has made a lot of unhappiness for the two of us because he loved Harvard and wanted me to be a great success there." . I wasn't just 'along for the trip'. The bulk of the recordings are the result of Alan's work during three more visits in 1937, 1938, and 1942. In withdrawing him (in addition to not being able to afford the tuition), the elder Lomax had probably wanted to separate his son from new political associates that he considered undesirable. But it was Robert W. Gordon that first undertook serious field-recording trips. He set sail on September 24, 1950, on board the steamer RMSMauretania. During the spring term his mother died, and his youngest sister Bess, age 10, was sent to live with an aunt. It asks that we recognize the cultural rights of weaker peoples in sharing this dream. The Alan Lomax Archive has the freedom to issue music, without the format or release cycle restrictions of CDs or vinyl, through an accessible outlet that's easy to navigate. agents which became the basis for the entertainment industry blacklist of the 1950s, listed Lomax as an artist or broadcast journalist sympathetic to Communism. The FBI again investigated Lomax in 1956 and sent a 68-page report to the CIA and the Attorney General's office. Italian Treasury: Piemonte And Valle D'Aosta. Mrs. Roosevelt invited Lomax to Hyde Park. [62], In January 2012, the American Folklife Center at the Library of Congress, with the Association for Cultural Equity, announced that they would release Lomax's vast archive in digital form. You can almost hear the creak of the porch swing and smell the wildflowers. Allison Hussey. It took quite a long time to get the money together; it kept falling through. Born in Austin, TX in 1915, the life of Alan Lomax spanned most of the Twentieth Century. Remastered from 24-bit digital transfers of Alan Lomax's original tapes, and annotated by Arhoolie Records' Adam Machado and the Alan Lomax Archive's Nathan Salsburg, they are an illustration of the mind-blowing revelation that was Fred McDowell. The Historic Lomax Mississippi Recordings. Fred McDowell - The Alan Lomax Recordings LP used US 2011 NM/VG+. Indexes for many of these materials are available upon request. It's not a matter of the blind leading the blind it's a matter of stupid people in large numbers that creates the bullshit! He traveled to England and Europe, conducting a number of field recordings that helped revitalize interest in traditional folk music. Beautiful album! At that concert, the point he was trying to make was that Negro and white music were mixing, and rock and roll was that thing. Still gives me goosebumps and a good laugh. The classic 2011 release, featuring 2-page historical notes written by Arhoolie Records Adam Machado and the Alan Lomax Archives Nathan Salsburg. As a member of the Popular Front and People's Songs in the 1940s, Alan Lomax promoted what was then known as "One World" and today is called multiculturalism. 1 (Recorded by Alan Lomax) 1991 The Alan Lomax Collection: Southern Journey, Vol. Sang at the Berkeley festival and met Jimmy Driftwood there for the first time. Furthermore, the book "The Southern Journey of Alan Lomax: Word, Photographs . Elizabeth also wrote radio scripts of folk operas featuring American music that were broadcast over the BBC Home Service as part of the war effort. Sublabels. They recorded songs sung by sharecroppers and prisoners in Texas, Louisiana, and Mississippi. On August 24, 1997, at a concert at Wolf Trap, Vienna, Virginia, Bob Dylan had this to say about Lomax, who had helped introduce him to folk music and whom he had known as a young man in Greenwich Village: There is a distinguished gentlemen here who came I want to introduce him named Alan Lomax. The Alan Lomax Collection: Southern Journey, Vol. 12" black vinyl LP with double-sided insert with historical information. Popular culture is in most cases far more effective at erasing distinctions between one place or society and another. He was also a musician himself, as well as a folklorist, archivist, writer, scholar, political activist, oral historian, and film-maker. Our focus here will be on the recordings made by four men John A. Lomax, Herbert Halpert, Alan Lomax, and Bill Ferris at Parchman Farm between 1933 and 1969. Especially powerful when walking home drunk, on max volume. "[35], For the Scottish, English, and Irish volumes, he worked with the BBC and folklorists Peter Douglas Kennedy, Scots poet Hamish Henderson, and with the Irish folklorist Samus Ennis,[36] recording among others, Margaret Barry and the songs in Irish of Elizabeth Cronin; Scots ballad singer Jeannie Robertson; and Harry Cox of Norfolk, England, and interviewing some of these performers at length about their lives. 12 - Georgia Sea Islands, Biblical Songs and Spirituals 1998 The Alan Lomax Collection: Southern Journey, Vol. Try a different filter or a new search keyword. Along with 10 CDs of recordings of Haitian musicians, the set also includes two books. One especially enthusiastic source exclaims that few sources deserve greater praise than him for "the preservation of America's folk music." Even if they're mad at you, it's better than nothing. A partial list of books by Alan Lomax includes: Collins: He was on the dockside with Anne, his daughter. Although the Great Depression was rapidly causing his family's resources to plummet, Harvard came up with enough financial aid for the 16-year-old Lomax to spend his second year there. Its report concluded that although Lomax undoubtedly held "left wing" views, there was no evidence he was a Communist. Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. It offers a gripping introduction to McDowell's unique style . Jelly Roll Morton: The Complete Library of Congress Recordings by Alan Lomax (Rounder Records, 8 CDs boxed set) won in two categories at the 48th annual Grammy Awards ceremony held on February 8, 2006[60] Alan Lomax in Haiti: Recordings For The Library Of Congress, 19361937, issued by Harte Records and made with the support and major funding from Kimberley Green and the Green foundation, and featuring 10 CDs of recorded music and film footage (shot by Elizabeth Lomax, then nineteen), a bound book of Lomax's selected letters and field journals, and notes by musicologist Gage Averill, was nominated for two Grammy Awards in 2011.[61]. In 70 years of collecting and popularizing folk music, Alan Lomax changed the way people heard American music. The pair amassed one of the most representative folk song collections of any culture. "[47], Alan Lomax died in Safety Harbor, Florida on July 19, 2002, at the age of 87. Folk Delta Blues Americana. Traveling to Cleveland, Mississippi from September 30 - October 2, Executive . [6] His first field collecting without his father was done with Zora Neale Hurston and Mary Elizabeth Barnicle in the summer of 1935. He joined and wrote a few columns for the school paper, The Daily Texan but resigned when it refused to publish an editorial he had written on birth control. "[25], On December 8, 1941, as "Assistant in Charge at the Library of Congress", he sent telegrams to fieldworkers in ten different localities across the United States, asking them to collect reactions of ordinary Americans to the bombing of Pearl Harbor and the subsequent declaration of war by the United States. Sapphista, supported by 50 fans who also own The Alan Lomax Recordings, Years ago, being broke and hopeless, I listened to a shitty vinyl rip of this all the time. (2003 [1972]: 286)[54]. He played a key role in the development of the Center's work. 11 - Honor the Lamb Using recording equipment that filled the trunk of his car, Lomax recorded Waters' music; it is said that hearing Lomax's recording was the motivation that Waters needed to leave his farm job in Mississippi to pursue a career as a blues musician, first in Memphis and later in Chicago. He was a musician himself, as well as a folklorist, archivist, writer, scholar, political activist, oral historian, and film-maker. Kugelberg: That's the nature of somebody who is making the path as he's going along. Nor would he ever allow anyone to say he was forced to leave. The 1944 "ballad opera", The Martins and the Coys, broadcast in Britain (but not the USA) by the BBC, featuring Burl Ives, Woody Guthrie, Will Geer, Sonny Terry, Pete Seeger, and Fiddlin' Arthur Smith, among others, was released on Rounder Records in 2000. Going Down To The River 8. Lomax must have felt it necessary to address the suspicions. "Fred McDowell: The Alan Lomax Recordings" is a collaboration by the Alan Lomax Archive, Mississippi Records, Little Axe Records, and Domino Sound. Nor had Lomax's Harvard academic record been affected in any way by his activities in her defense. Correspondence ensued with the American authorities as to Lomax' suspected membership of the Communist Party, though no positive proof is found on this file. Empathy is most important in field work. I think Columbia was going to pay for it at one point, but they insisted he have a union engineer with him and someone extra like thatin situations we were going to be in would have been hopeless. In 1952 Folkways Records released a set of very strange, very powerful old recordings under the title Anthology of American Folk Music. I love that hypnotic, pounding sound. These field recordings are the source material that sparked the American folk revival in the 1950s and 1960s. Similar ideas had been put into practice by Benjamin Botkin, Harold W. Thompson, and Louis C. Jones, who believed that folklore studied by folklorists should be returned to its home communities to enable it to thrive anew. According to Izzy Young, the audience booed when he told them to lay down their prejudices and listen to rock 'n' roll. In Young's opinion, "Lomax put on what is probably the turning point in American folk music . Kentucky recordings that she . It is false Darwinism applied to culture especially to its expressive systems, such as music language, and art. Made in the field in the Southern United States, the Caribbean, Britain, Scotland, Ireland, Spain, Italy, Morocco, Romania, Soviet Georgia, and in Lomax's various living quarters, where he hosted many traditional singers. New York City, 1950s. Our founding fathers were very young when they decided enough is enough and took a stand against the largest military in the world at that time and is in no way a comparison to what Putin's dumb ass is doing! McLeish wrote to Hoover, defending Lomax: "I have studied the findings of these reports very carefully. Southern Journeys: Alan Lomaxs Steel-String Discoveries. Recorded in Como, Mississippi, September 21-25, 1959. Nathan Salsburg never met Alan Lomax, the famed American musicologist. .. Alan Lomax (1915-2002) was a major figure in folklore and ethnomusicology, known for his theoretical work, cultural advocacy, and seminal public programs. Scholar and jazz pianist Ted Gioia uncovered and published extracts from Alan Lomax's 800-page FBI files. "He did it out of the passion he had for it, and found ways to fund projects that were closest to his heart".[3]. In 1940 under Lomax's supervision, RCA made two groundbreaking suites of commercial folk music recordings: Woody Guthrie's Dust Bowl Ballads and Lead Belly's The Midnight Special and Other Southern Prison Songs. Finally back in print! On one of his trips in 1941, he went to Clarksdale, Mississippi, hoping to record the music of Robert Johnson. On Friday recordings, photographs, video and documents are to be donated to the public library in Como, Miss., where in September 1959 Lomax made the first recordings of the blues guitarist Fred . January 30, 2014 by Nicole Saylor. In an article first published in the 2009 Louisiana Folklore Miscellany, Barry Jean Ancelet, folklorist and chair of the Modern Languages Department at University of Louisiana at Lafayette, wrote: Every time [Lomax] called me over a span of about ten years, he never failed to ask if we were teaching Cajun French in the schools yet. His efforts spurred folk revivals in the United States and across Europe. He also explained his arrest while at Harvard as the result of police overreaction. And when he returned nearly three months later, having driven thousands of miles on barely paved roads, it was with a cache of 250 discs and 8 reels of film, documents of the incredible range of ethnic diversity, expressive traditions, and occupational folklife in Michigan."[19]. Thanks for putting it on bandcamp! So if we've got anybody to thank, it's Alan. He devoted much of the latter part of his life to advocating what he called Cultural Equity, which he sought to put on a solid theoretical foundation through to his Cantometrics research (which included a prototype Cantometrics-based educational program, the Global Jukebox). Their folk song collecting trip to the Southern states, known colloquially as the Southern Journey, lasted from July to November 1959 and resulted in many hours of recordings, featuring performers such as Almeda Riddle, Hobart Smith, Wade Ward, Charlie Higgins and Bessie Jones and culminated in the discovery of Fred McDowell. [28] He also was a key participant in the V. D. Radio Project in 1949, creating a number of "ballad dramas" featuring country and gospel superstars, including Roy Acuff, Woody Guthrie, Hank Williams, and Sister Rosetta Tharpe (among others), that aimed to convince men and women suffering from syphilis to seek treatment. Recorded in Como, Mississippi, September 21-25, 1959. Lomax traveled through the American South in the 1940s with a mobile recording unit in order to capture firsthand the rich tapestry of the nation's non-commercial music. [69], In his autobiographical, Chronicles, Part One, Dylan recollects a 1961 scene: There was an art movie house in the Village on 12th Street that showed foreign moviesFrench, Italian, German. 10,000 sound recordings, 6000 graphic images, and 6000 moving images. In June 1942 the FBI approached the Librarian of Congress, Archibald McLeish, in an attempt to have Lomax fired as Assistant in Charge of the Library's Archive of American Folk Song. So, those months were spent in New York? And it can make their adjustment to a world society an easier and more creative process. Alan Lomax (/lomks/; January 31, 1915 July 19, 2002) was an American ethnomusicologist, best known for his numerous field recordings of folk music of the 20th century. The stuff of folklorethe orally transmitted wisdom, art and music of the people can provide ten thousand bridges across which men of all nations may stride to say, "You are my brother."[50]. He brought pieces so compelling and beautiful that we gave in to his suggestions more often than I would have thought possible. Includes a glossy two-sided 10" x 10" liner note insert. The Association's mission is to "facilitate cultural equity" and practice "cultural feedback" and "preserve, publish, repatriate and freely disseminate" its collections. (Others listed included Aaron Copland, Leonard Bernstein, Yip Harburg, Lena Horne, Langston Hughes, Burl Ives, Dorothy Parker, Pete Seeger, and Josh White.) Alan Lomaxs List of American Folk Songs on Commercial Records (1940), "The Sonic Journey of Alan Lomax: Recording America and the World", Alan Lomax Collection, The American Folklife Center, Library of Congress, "Remembrances of Alan Lomax, 2002" by Guy Carawan, "Alan Lomax: Citizen Activist", by Ronald D. Cohen, https://en.wikipedia.org/w/index.php?title=Alan_Lomax&oldid=1138683769. [16] All those who assisted and worked with him were accurately credited on the resultant Library of Congress and other recordings, as well as in his many books, films, and publications. Lomax recorded Waters at Stovall Farm in Clarksdale, Mississippi in 1941 and returned the following year to . The Alan Lomax Collection gathers together the American, European, and Caribbean field recordings, world music compilations, and ballad operas of writer, folklorist, and ethnomusicologist Alan Lomax. I listen to one side then flip it over and listen to the other then flip it back over and listen again. Alan Lomax: The Man Who Recorded the World By John Szwed (New York: Viking, 2010 Pp 438, acknowledgments, notes, and index $2000 paper)The late Alan Lomax, doyen of folklore throughout the world, was a unique individual on many levels Alan and I worked together for approximately ten months at the Library of Congress listening to all the African American music found in the holdings of the . It remains astounding that a rural blues performer of such talent, already in his mid-fifties when Lomax came across him, had not previously recorded . 5 - Bad Man Ballads 1997 Midnight Special: The Library of Congress Recordings, Vol. This album highlights traditional Black American folk and gospel songs from Americas coastal South. Someday the deal will change. John Lomax or Alan Lomax are the names that most remember when it comes to collecting recordings of American folk music. Shirley Collins/Courtesy of Alan Lomax Archive hide caption Music he helped choose included the blues, jazz, and rock 'n' roll of Blind Willie Johnson, Louis Armstrong, and Chuck Berry; Andean panpipes and Navajo chants; Azerbaijani mugham performed by two balaban players,[45] a Sicilian sulfur miner's lament; polyphonic vocal music from the Mbuti Pygmies of Zaire, and the Georgians of the Caucasus; and a shepherdess song from Bulgaria by Valya Balkanska;[46] in addition to Bach, Mozart, and Beethoven, and more. Compared to wax cylinder phonographs and disc recorders, portable tape players - such as the Magnecord model that would become Alan Lomax's calling card in the 1950s - allowed for higher fidelity recordings and a more intimate rapport between documentarist and subject. This collection consists of more than 100 individual collections and includes 700 linear feet of manuscripts, 10,000 sound recordings,6,000 graphic images, and 6,000 moving images. Also as a sidebar, considering who the Ertegun brothers were at that point in time, it's surprising to me that they greenlighted that project at that point in time. Kentucky Alan Lomax Recordings, 1937-1942 These are documentary sound recordings of rural Kentucky music and lore made for the Library of Congress by John Lomax and his son Alan together and separately over about a four year period in the 1930s and early 1940s. [27], In the late 1940s, Lomax produced a series of commercial folk music albums for Decca Records and organized a series of concerts at New York's Town Hall and Carnegie Hall, featuring blues, calypso, and flamenco music. Alan LOMAX ENGLAND World Library of Folk & Primitive Music Columbia SL206 . Beautiful album. Lomax spent the last 20 years of his life working on an interactive multimedia educational computer project he called the Global Jukebox, which included 5,000 hours of sound recordings, 400,000 feet of film, 3,000 videotapes, and 5,000 photographs. The file contains a partial record of Lomax' movements, contacts and activities while in Britain, and includes for example a police report of the "Songs of the Iron Road" concert at St Pancras in December 1953. Lomax produced recordings, concerts, and radio shows in the US and in England, which played an important role in preserving folk music traditions in both countries, and helped start both the American and British folk revivals of the 1940s, 1950s, and early 1960s. [14], From 1937 to 1942, Lomax was Assistant in Charge of the Archive of Folk Song of the Library of Congress to which he and his father and numerous collaborators contributed more than ten thousand field recordings. Yes, he's here, he's made a trip out to see me. Collins described her arrival in America 1959 in an interview with Johan Kugelberg: Bulgarian singer Valya Balkanska, "Shepherdess Song", [America Sings the Saga of America" (1947)], Ironically, perhaps, the phrase originated in an, On the vital connection between biological diversity and cultural diversity, see Maywa Montenegro and Terry Glavin, "Scientists Offer New Insight into What to Protect of the World's Rapidly Vanishing Languages, Cultures, and Species" in, Alan Lomax - Southern prison music and Lead Belly, Last edited on 11 February 2023, at 00:53, The Midnight Special and Other Southern Prison Songs, Student Nonviolent Coordinating Committee, The Association for Cultural Equity (ACE), American Association for the Advancement of Science, Notable alumni of St. Mark's School of Texas, "Alan Lomax Collection (The American Folklife Center, Library of Congress)", "The American Folklife Center Celebrates Lomax Centennial", "National Sampler: Florida Audio and Video Samples and Notes", "Joan Halifax, Mindfulness, and the Most Important Thing", "John A Lomax and Alan Lomax Papers: About this Collection", "After the Day of Infamy: 'Man-on-the-Street' Interviews Following the Attack on Pearl Harbor", Harry S. Truman, "Veto of the Internal Security Bill", "David Attenborough talks about his early years making a music series", "Alan Lomax, Who Raised Voice of Folk Music in U.S., Dies at 87", "National Endowment for the Arts, National Heritage Fellowships 2008", "About The Association for Cultural Equity | Association for Cultural Equity", "4 September 2007 releases: Communists and suspected Communists", "About the Library | Library of Congress", "Jelly Roll Wins at Grammys (March 2006) Library of Congress Information Bulletin", "Folklorist's Global Jukebox Goes Digital", "Alan Lomax's Massive Archive Goes Online: The Record". John was back once more in 1939. (SACD, Hybrid, Multichannel, Album, Comp), Songs of Christmas (From the Alan Lomax Collection), The Spanish Recordings: Mallorca: The Balearic Islands, Gaelic Songs Of Scotland - Women At Work In The Western Isles, Singing In The Streets: Scottish Children's Songs, Caribbean Voyage: East Indian Music In The West Indies, Caribbean Voyage: Trinidad: Carnival Roots, Caribbean Voyage: Saraca: Funerary Music of Carriacou, Caribbean Voyage: Tombstone Feast (Funerary Music Of Carriacou), World Library Of Folk & Primitive Music: Spain, World Library Of Folk & Primitive Music, V: Yugoslavia, World Library of Folk and Primitive Music Romania, The Spanish Recordings: Ibiza & Formentera: The Pityusic Islands, Classic Ballads Of Britain And Ireland Volume 1, Classic Ballads Of Britain And Ireland Volume 2, Italian Treasury, Folk Music And Song From Italy, A Sampler, Italian Treasury, The Trallaleri Of Genoa, Black Texicans (Balladeers And Songsters Of The Texas Frontier), Deep River Of Song - Bahamas 1935 - Chanteys And Anthems From Andros And Cat Island, Black Appalachia - String Bands, Songsters And Hoedowns, Deep River Of Song - Mississippi Saints & Sinners - From Before The Blues And Gospel, Mississippi: The Blues Lineage - Musical Geniuses Of The Fields, Levees, And Jukes, Big Brazos (Texas Prison Recordings, 1933 And 1934), Virginia And The Piedmont (Minstrelsy, Work Songs, And Blues), The Classic Louisiana Recordings Cajun & Creole Music 1934/1937, The Classic Louisiana Recordings Cajun & Creole Music II 1934/1937, The Complete Library Of Congress Recordings By Alan Lomax, Italian Treasury: Liguria: Baiardo And Imperia, Italian Treasury: Liguria: Polyphony of Ceriana, Louisiana (Catch That Train And Testify! Elizabeth assisted him in recording in Haiti, Alabama, Appalachia, and Mississippi. The Alan Lomax Recordings by Fred McDowell, released 04 June 2021 1. We all hit it off wonderfully. Wished I Was In Heaven Sitting Down 9. The FBI's report concluded that "Lomax made no secret of the fact that he disliked the FBI and disliked being interviewed by the FBI. Free for commercial use, no attribution required. Lomax was a consultant to Carl Sagan for the Voyager Golden Record sent into space on the 1977 Voyager Spacecraft to represent the music of the earth. "[24] Lomax himself wrote that in all his work he had tried to capture "the seemingly incoherent diversity of American folk song as an expression of its democratic, inter-racial, international character, as a function of its inchoate and turbulent many-sided development. ITMA is delighted to announce the publication of 2 CDs featuring field recordings of Irish traditional song, music and stories made by Alan Lomax in Ireland in 1951, with Robin Roberts and Samus Ennis. Son House 1941/42 Recordings Folklyric LP Vinyl EX- Alan Lomax. [22], Despite its success and high visibility, Back Where I Come From never picked up a commercial sponsor. Alan Lomax is quoted as a credible historian and ethnomusicologist of the time who travelled across the US and Haiti documenting and recording local musics. These are Fred McDowell's first recordingsbefore the folk festivals and blues clubs, before Mississippi was inserted in front of his name, before the Rolling Stones covered his You Got To Move. Theyre the sound of the music McDowell played on his porch, at picnics, and juke joints; with his friends and family; occasionally for money but always for pleasure. Woke Up This Morning With My Mind On Jesus 6. Two of his siblings also developed significant careers studying folklore: Bess Lomax Hawes and John Lomax Jr. Lomax's greatest legacy is in preserving and publishing recordings of musicians in many folk and blues traditions around the US and Europe. But Alan had also not been happy there and probably also wanted to be nearer his bereaved[citation needed] father and young sister, Bess, and to return to the close friends he had made during his first year at the University of Texas.
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